Wolfgang Amadeus Mozart: La Clemenza di Tito, K. 621

Jeremy Ovenden, Tito
Aphrodite Patoulidou, Vitellia
Anna El-Khashem, Servilia
Maite Beaumont, Sesto
Ambroisine Bré, Annio
Adrien Fournaison, Publio

Christophe Rousset, conductor
Les Talens Lyriques

Franz Schubert: Die schöne Müllerin op. 25, D 795

Julian Prégardien, Tenor
Kristian Bezuidenhout, Pianoforte

Thomas Hobbs, Judas Maccabaeus
Matthias Winckhler, Simon
Suzanne Jerosme, Israelitish Woman
Olivia Vermeulen, Israelitish Man:
Jaro Kirchgessner, Priest

Holger Speck, musical direction
Vocalensemble Rastatt
Les Favorites

Wolfgang Amadeus Mozart: La Clemenza di Tito, K. 621

Jeremy Ovenden, Tito
Aphrodite Patoulidou, Vitellia
Anna El-Khashem, Servilia
Maite Beaumont, Sesto
Ambroisine Bré, Annio
Adrien Fournaison, Publio

Christophe Rousset, conductor
Les Talens Lyriques

Richard Wagner: Siegfried

Andreas Schager, Siegfried
Camilla Nylund, Brünnhilde
Michael Volle, Der Wanderer
Georg Nigl, Alberich
Wiebke Lehmkuhl, Erda
Gerhard Siegel, Mime
Matheus França, Fafner
Florina Ilie, Stimme des Waldvogels

Pablo Heras-Casado, conductor
Sven-Eric Bechtolf, stage director
Rolf Glittenberg, staging
Marianne Glittenberg, costumes
fettFilm (Momme Hinrichs und Torge Möller), video

Julian Prégardien, tenor
Kristian Bezuidenhout, fortepiano

The Institute of Musicology at LMU invites you to its grand institute concert on Wednesday, June 10, 2026: Following his acclaimed “Winterreise” last November, Julian Prégardien—arguably the finest Schubert tenor today—returns to the beautiful Große Aula on Wednesday, June 10, 2026, to perform Schubert’s other great song cycle: “Die schöne Müllerin.” This time he will be accompanied by the phenomenal pianist Kristian Bezuidenhout, once again on the institute’s wonderfully resonant over-the-action fortepiano, built in Vienna in 1825 by Nannette Streicher.

The Blind Spot - Goethe and women
Julian Prégardien, tenor
Kristian Bezuidenhout, fortepiano
Julia Nachtmann, narrator

Lieder by Franz Schubert and others
Following the two concerts that took place under the title ‘The blind spot’ as part of the Schwetzingen Festival 2025, Julian Prégardien's exploration of the theme of ‘Goethe and women’ continues. After all, Goethe's long and passionate life provides plenty of material for further programmes that look behind the ‘blind spot’ of history and provide a glimpse of important women in Goethe's life and work.

Marie Luise Werneburg, soprano
Patricia Nolz, mezzo-soprano
Lucile Richardot, alto
Nick Pritchard, tenor
Robert Pohlers, tenor
Volker Arndt, tenor
Frederick Long, bass 
Johannes Lang, organist of St. Thomas
 
Thomanerchor Leipzig
Gewandhausorchester Leipzig
Andreas Reize, conductor

Marie-Sophie Pollak, soprano
Concerto Köln
Max Volbers, musical direction, recorder, harpsichord
Prof. Dr. Michael Maul, moderation

Benjamin Britten: War Requiem op. 66

Elena Stikhina, soprano
Julien Behr, tenor
Florian Boesch, bass

Orchestre Philharmonique de Radio France
Chœur de Radio France
Maîtrise de Radio France
Mirga Gražinytė-Tyla, conductor