Ludwig van Beethoven: Missa Solemnis in D major, Op. 123

Rachel Redmond, soprano
Olivia Vermeulen, mezzo-soprano
Martin Platz, tenor
Manuel Walser, bariton

Jordi Savall, conductor
La Capella Nacional de Catalunya (chorus master: Lluís Vilamajó)
Le Concert des Nations

Francis Poulenc: Dialogues des Carmélites

Sabine Devieilhe, Blanche
Bernard Richter, Le Chévalier
Michaela Schuster, Madame de Croissy
Nicole Car, Madame Lidoine
Eve-Maud Hubeaux, Mère Marie
Michael Kraus, Le Marquis de la Force
Maria Nazarova, Soeur Constance

Bertrand de Billy, artistic direction
Magdalena Fuchsberger, stage direction
Monika Biegler, stage
Valentin Köhler, costumes
Aron Kitzig, video
Rudolf Fischer & Robert Eisenstein, light

Ludwig van Beethoven: Missa Solemnis in D major, Op. 123

Rachel Redmond, soprano
Olivia Vermeulen, alto
Martin Platz, tenor
Manuel Walser, barítone

Le Concert des Nations
La Capella Nacional de Catalunya
Jordi Savall, conductor

Werner Pirchner: „Heute …war Gestern Morgen. Heute …ist Morgen Gestern“ PWV 63
Werner Pirchner: „Heimat?“ PWV 29b
Werner Pirchner: „Wem gehört der Mensch …?“ PWV 31

Eggner Trio
Georg Eggner, Violine
Florian Eggner, Violoncello
Christoph Eggner, Klavier

Tobias Moretti, Rezitation

Georges Bizet: Carmen

Tomislav Mužek, Don José
Alexander Vinogradov, Escamillo
Jürgen Sacher, Remendado
Nicholas Mogg, Dancaïro
Zuniga, Hubert Kowalczyk
Chao Deng, Moralès
Maria Kataeva, Carmen
Guanqun Yun, Micaëla
Narea Son, Frasquita
Ida Aldrian, Mercédès

Yoel Gamzou, musical direction
Herbert Fritsch, production and stage
José Luna, costumes
Carsten Sander, lighting
Sabrina Zwach, dramaturgy
Christian Günther, choir
Luiz de Godoy, children's and youth choir

Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper
Chor der Hamburgischen Staatsoper
Philharmonisches Staatsorchester Hamburg

Thomas Quasthoff Trio
Thomas Quasthoff, vocals
Wolfgang Meyer, guitar
Shawn Grocott, trombone

When Thomas Quasthoff met "Shawn & The Wolf" in Verbier in the shadow of the Matterhorn in 2019, it was friendship at first sight: Singer Quasthoff, trombonist Shawn Grocott and guitarist Wolfgang Meyer are an unusual band that has to constantly reinvent their jazz arrangements. And being able to accompany them on this varied and entertaining search promises a special and unforgettable evening - among friends.

Francis Poulenc: Dialogues des Carmélites

Sabine Devieilhe, Blanche
Bernard Richter, Le Chévalier
Michaela Schuster, Madame de Croissy
Nicole Car, Madame Lidoine
Eve-Maud Hubeaux, Mère Marie
Michael Kraus, Le Marquis de la Force
Maria Nazarova, Soeur Constance

Bertrand de Billy, artistic direction
Magdalena Fuchsberger, stage direction
Monika Biegler, stage
Valentin Köhler, costumes
Aron Kitzig, video
Rudolf Fischer & Robert Eisenstein, light

Nikola Hillebrand, soprano
Marcelo Amaral, piano

Franz Schubert: Die schöne Müllerin op. 25, D 795

Florian Boesch, bass-bariton | idea
Nikolaus Habjan, stage director | idea | puppeteer
Andreas Schett & Markus Kraler, composition | arrangements
Andreas Schett, musical director
Musicbanda Franui

 

Gustav Mahler: Symphony No. 8 in E-flat major  „Symphony of a Thousand”

Emily Magee, soprano (Magna Peccatrix)
Jacquelyn Wagner, soprano (Una poenitentium)
Ying Fang, soprano (Mater gloriosa)
Lioba Braun, mezzo-soprano (Mulier Samaritana)
Gerhild Romberger, mezzo-soprano (Maria Aegyptiaca)
Benjamin Bruns, tenor (Doctor Marianus)
Adrian Eröd, baritone (Pater ecstaticus)
Georg Zeppenfeld, bass (Pater profundus)

Andris Nelsons, conductor
Gewandhausorchester
MDR-Rundfunkchor
Chor der Oper Leipzig
Thomanerchor Leipzig
GewandhausChor
GewandhausKinderchor