Mozart’s Clavichord in the Costume Workshop
With August Diehl and Alexander Gergelyfi (clavichord)
For the first time since 1842, Mozart’s clavichord leaves Salzburg. It is his own instrument, on which he composed, dreamed, and doubted. Amid the whirring sewing machines of the costume workshop, his immortal music suddenly becomes tangible – as if Mozart had just left the room. The texts are read by actor August Diehl, who for several years has been Georg Nigl’s sparring partner at the Salzburg Night Music series.
Georg Nigl, baritone
August Diehl, reader
Alexander Gergelyfi, clavichord
Claude Debussy: „Ibéria“ – Suite Nr. 2 from „Images pour Orchestre“
Camille Saint-Saëns: concert for violoncello and orchestra in a-minor op. 33
Camille Saint-Saëns: concert for violoncello and orchestra Nr. 2 in d-minor op. 119
Claude Debussy: La Mer
Les Siècles
Sol Gabetta, cello
Antonello Manacorda, conductor
Arnold Schönberg: Verklärte Nacht
Wolfgang Amadeus Mozart: Requiem d-Moll KV 626
Verity Wingate, soprano
Štěpánka Pučálková, alto
Werner Güra, tenor
Peter Kellner, bass
Konzertchor Interpunkt
Michael Schneider, choir direction
Tonkünstler-Orchester Niederösterreich
Andreas Ottensamer, conductor
Engelbert Humperdinck: Dornröschen
Elbenita Kajtazi/ Nicole Heesters, Röschen
Franziska Machens, Armgart, ihre Mutter
Tim Porath, Ringold, ihr Vater
Oleksiy Palchykov, Reinhold, Prinz
Elizaveta Kulagina, Rosa, Königin der Feen, eine Rose
Katja Pieweck, Morphina, Fee des Schlafes
Pavla Mlcakova, Sophia, Fee der Weisheit
Clara Kunzke, Mab, Fee des Frohsinns
Narea Son, Blanka, Fee der Unschuld, Quecksilber, Winde
Brigitta Listra, Bella, Fee der Schönheit
Kady Evanyshyn, Viola, Fee der Bescheidenheit
Ida Aldrian, Pietas, Fee der Frömmigkeit
Mariana Poltorak, Veritas, Fee der Wahrheit, Vergissmeinnicht, Sonne
Veselina Teneva, Flora, Fee der Blumen
Milena Juhl, Poesis, Fee der Dichtkunst
Inés López Fernández, Hulda, Fee der Häuslichkeit
Annika Schlicht, Dämonia, die böse Fee
Anna Bergmann, direcion
Jo Schramm, staging
Lane Schäfer, costumes
Jonas Link, video
Johannes Hofmann, sounddesign
Henning Streck, lighting
Jan Koester (Talking Animals), animation
Christopher Warmuth, dramaturgy
Markus Poschner, conductor
Chor der Hamburgischen Staatsoper, choir
Philharmonisches Staatsorchester Hamburg, orchestra
Johann Sebastian Bach: Christmas Oratorio, BWV 248 (Cantatas I - III, VI)
Carolyn Sampson, soprano
Olivia Vermeulen, mezzo-soprano
Sebastian Kohlepp, tenor
Derek Welton, bass
Kent Nagano, conductor
Orchestre symphonique de Montréal
OSM Chorus
Andrew Megill, chorusmaster
Claude Debussy: „Ibéria“ – Suite Nr. 2 from „Images pour Orchestre“
Camille Saint-Saëns: concert for violoncello and orchestra in a-minor op. 33
Camille Saint-Saëns: concert for violoncello and orchestra Nr. 2 in d-minor op. 119
Claude Debussy: La Mer
Les Siècles
Sol Gabetta, cello
Antonello Manacorda, conductor
Johann Sebastian Bach: Christmas Oratorio, BWV 248 (Cantatas I - III, VI)
Carolyn Sampson, soprano
Olivia Vermeulen, mezzo-soprano
Sebastian Kohlepp, tenor
Derek Welton, bass
Kent Nagano, conductor
Orchestre symphonique de Montréal
OSM Chorus
Andrew Megill, chorusmaster
Engelbert Humperdinck: Hänsel und Gretel
Cassandra Doyle, Hänsel
Ketevan Chuntishvili, Gretel
Anthea Barać, Knusperhexe
Peter Schöne, Peter
Tobias Wögerer, conductor
Steffen Tiggeler, director
Ruben Michael, stage design
Walter Gondolf, set and costumes
Kinderchor der Staatsoper Hannover
Niedersächsisches Staatsorchester Hannover
Johann Sebastian Bach: Christmas Oratorio BWV 248
Julian Prégardien, tenor
Chor des Bayerischen Rundfunks, choir
CAMERATA Salzburg
Howard Arman, conductor
Richard Wagner: Das Rheingold
Michael Volle, Wotan
Daniel Schmutzhard, Donner
Johan Krogius, Froh
Matthias Klink, Loge
Claudia Mahnke, Fricka
Kiandra Howarth, Freia
Noa Beinart, Erda
Christopher Purves, Alberich
Wolfgang Ablinger-Sperrhacke, Mime
David Steffens, Fasolt
Brent michael Smith, Fafner
Kathrin Zukowski, Woglinde
Marcela Rahal, Wellgunde
Siena Licht Miller, Flosshilde
Gianandrea Noseda, Musical Director
Andreas Homoki, Production
Christian Schmidt, Set and Costume Design
Florian Schaaf, Assistant artistic stage designer
Franck Evin, Lighting Design
Beate Breidenbach | Werner Hintze, Dramaturgy
Orchester der Oper Zürich