Holger Speck, Musical Direction
Marie-Sophie Pollak, Soprano I
Olivia Vermeulen, Soprano II
Benno Schachtner, Alto 
Florian Sievers, Tenor 
Konstantin Ingenpass, Bass 

Vocalensemble Rastatt, Choir 
Ensemble Resonanz, Orchestra 

Claude Debussy: Pelléas et Mélisande

Franz-Josef Selig, Arkel
Sophie Koch, Geneviève
Ben Bliss, Pelléas
Christian Gerhaher, Golaud
Sabine Devieilhe, Mélisande
Soloist of the Tölzer Boy's Choir, Yniold
Martin Snell, a doctor
Paweł Horodyski, a shepard

Mirga Gražinytė-Tyla, musical direction
Jetske Mijnssen, stage direction
Ben Baur, stage and costumes
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

Antonio Vivaldi: Concerto  in A minor, Op. 3/8
Pietro Antonio Locatelli: Concerto grosso in F minor, Op. 1/8
Johann Sebastian Bach: Concerto in D major, BWV 1064
Johann Sebastian Bach: “Repay, Most High, my sins” – Church Cantata BWV 1083 after Giovanni Battista Pergolesi’s “Stabat mater”

Elisabeth Breuer, soprano
Olivia Vermeulen, mezzo-soprano
Reinhard Goebel, conductor
Orchester der KlangVerwaltung

Claude Debussy: Pelléas et Mélisande

Franz-Josef Selig, Arkel
Sophie Koch, Geneviève
Ben Bliss, Pelléas
Christian Gerhaher, Golaud
Sabine Devieilhe, Mélisande
Soloist of the Tölzer Boy's Choir, Yniold
Martin Snell, a doctor
Paweł Horodyski, a shepard

Mirga Gražinytė-Tyla, musical direction
Jetske Mijnssen, stage direction
Ben Baur, stage and costumes
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

Claude Debussy: Pelléas et Mélisande

Franz-Josef Selig, Arkel
Sophie Koch, Geneviève
Ben Bliss, Pelléas
Christian Gerhaher, Golaud
Sabine Devieilhe, Mélisande
Soloist of the Tölzer Boy's Choir, Yniold
Martin Snell, a doctor
Paweł Horodyski, a shepard

Mirga Gražinytė-Tyla, musical direction
Jetske Mijnssen, stage direction
Ben Baur, stage and costumes
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

Luigi Nono: Il canto sospeso
Luigi Dallapiccola: Il prigioniero

Caroline Wettergreen, Soprano
Freya Apffelstaedt, Contralto 
Robin Tritschler, Tenor 
Tobias Moretti, Recitation 
Tanja Ariane Baumgartner, The Mother 
Georg Nigl, The Prisoner 
John Daszak, The Jailer / The Grand Inquisitor 

Bavarian Radio Chorus 
Peter Dijkstra, Chorus Master 
ORF Vienna Radio Symphony Orchestra 
Maxime Pascal, Conductor

Wolfgang Amadeus Mozart: Don Giovanni KV 527

Davide Luciano, Don Giovanni
Dmitry Ulyanov, Il Commendatore
Nadezhda Pavlova, Donna Anna
Julian Prégardien, Don Ottavio
Federica Lombardi, Donna Elvira
Kyle Ketelsen, Leporello
Ruben Drole, Masetto
Anna El-Khashem, Zerlina

Teodor Currentzis, Conductor
Romeo Castellucci Director, Sets, Costumes and Lighting 
Cindy Van Acker Choreography
Piersandra Di Matteo Dramaturgy 
Theresa Wilson Associate Costume Designer
Maxi Menja Lehmann Assistant Director
Alessio Valmori Assistant Set Designer 
Marco Giusti Associate Lighting Designer
Utopia Choir
Vitaly Polonsky, Chorus Master
Utopia Orchestra

Johann Strauß: Die Fledermaus

Georg Nigl, Gabriel von Eisenstein
Diana Damrau, Rosalinde
Martin Winkler, Frank
Andrey Nemzer, Prinz Orlofsky
Sean Panikkar, Alfred
Markus Brück, Dr. Falke
Kevin Conners, Dr. Blind
Katharina Konradi, Adele

Vladimir Jurowski, musical direction
Barrie Kosky, stage direction
Rebecca Ringst, stage
Klaus Bruns, costumes
Otto Pichler, choreographer
Joachim Klein, light
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

Alban Berg: What is atonal? Interview for Vienna Radio, 23 April 1930
Arnold Schönberg: Fifteen poems from Stefan George’s Das Buch der hängenden Gärten (The Book of the Hanging Gardens) for voice and piano op. 15
Arnold Schönberg: String Quartet No. 2 in F-sharp minor for two violins, viola, cello and soprano op. 10

Georg Nigl, Baritone
Markus Hinterhäuser, Piano
Anna Prohaska, Soprano
Minguet Quartett