Representation: World
Austrian baritone Florian Boesch is hailed as one of today’s foremost Lieder interpreters, appearing regularly at London’s Wigmore Hall, Vienna’s Musikverein and Konzerthaus, Carnegie Hall, the Het Concertgebouw in Amsterdam, Laeiszhalle Hamburg, Konzerthaus in Dortmund, Philharmonie Luxemburg, Philharmonie Cologne, deDoelen Rotterdam, the Edinburgh, Schwetzingen and Salzburg Festivals. Accompanied by Malcolm Martineau, he performed all three Schubert cycles in Glasgow and across Australia (Sydney, Adelaide and Melbourne). Florian Boesch has been an artist in residence at the Wigmore Hall, Vienna Konzerthaus, Teatro de la Zarzuela in Madrid and Theater an der Wien. In the 2021/2022 season, he demonstrated his artistic versatility as artist in residence at the Elbphilharmonie Hamburg.
A frequent guest on the concert platform, Florian Boesch has worked with leading orchestras such as the Vienna and Berlin Philharmonic, Royal Concertgebouw Orchestra, Bavarian Radio Symphony Orchestra, Wiener Symphoniker, Gewandhaus Orchestra in Leipzig, Staatskapelle Dredsden, Kammerphilharmonie Bremen, Bamberg Symphoniker, London Symphony Orchestra, and Chamber Orchestra of Europe, under renowned conductors such as Giovanni Antonini, Ivor Bolton, Teodor Currentzis, Riccardo Chailly, Gustavo Dudamel, Adam Fischer, Iván Fischer, Stefan Gottfried, Philippe Herreweghe, Pablo Heras-Casado, Vladimir Jurowski, Mariss Jansons, Sir Roger Norrington, Andrés Orozco-Estrada, Sir Simon Rattle, Robin Ticciati und Franz Welser-Möst.
He worked particularly closely with Nikolaus Harnoncourt, with whom his final projects were Handel’s Messiah and Saul at the Wiener Musikverein and Purcell’s The Fairy Queen at the 2014 Styriarte festival. At the Salzburg Festival, they performed together in Haydn's The Creation and The Seasons.
Highlights of the current season include concerts of Haydn's The Creation conducted by Adam Fischer in Copenhagen and Graz, with Martin Haselböck at the Vienna Musikverein and with Thomas Hengelbrock and the Balthasar Neumann Ensemble in Baden-Baden, Schönberg's Gurre-Lieder with the Wiener Symphoniker under Petr Popelka in Vienna, Handel's Alexander's Feast with Concentus Musicus under Stefan Gottfried in Vienna and Lausanne, Handel's Messiah under Jan Willem de Vriend in the Zurich Tonhalle, Mozart's Le nozze di Figaro in a concert version on tour under the direction of Giovanni Antonini, and Weil's Siegen Todsünden with the Czech Philharmonic under Sir Simon Rattle. Florian Boesch will also give recitals at the Amsterdam Muziekgebouw, Cologne Philharmonie, London's Wigmore Hall, the Brucknerhaus in Linz and at the Vienna Musikverein. He can be heard performing Schubert's Die schöne Müllerin together with the Ensemble Franui and Nikolaus Habjan at the Forum Ludwigsburg and at the Tyrol Festival in Erl.
An equally compelling performer on the opera stage, Florian Boesch’s most recent productions included Handel’s Saul and Orlando conceived by Claus Guth at the Theater an der Wien. He has offered further acclaimed interpretations in staged versions of Schubert’s Lazarus and Handel’s Messiah, and as Jonathan Peachum in Kurt Weill’s Dreigroschenoper, in Purcell’s Fairy Queen, Alban Berg’s Wozzeck and Mozart’s Le nozze di Figaro at the Theater an der Wien, while taking to the Berlin State Opera as Méphistophélès in Berlioz’ La Damnation de Faust at the Schillertheater under Sir Simon Rattle. Major productions of his career include Alban Berg’s Wozzeck in Cologne and Mozart’s Così fan tutte at the Salzburg Festival.
The 2022/2023 season marked Florian Boesch’s debut at the Vienna State Opera with a Mahler project entitled Von der Liebe Tod (leading team Calixto Bieito & Lorenzo Viotti), while in May 2023, he appeared in a staged production of Schubert’s Die schöne Müllerin with Nikolaus Habjan and Musicbanda Franui at the Berlin State Opera Unter den Linden, which they took to the Elbphilharmonie in Hamburg, to the Bregenz Festival, Graz Opera, the Gmunden Salzkammergut Festival and the MusikTheater an der Wien. In June 2025, he can be seen again in Claus Guth's production of Handel's Saul at the Semperoper Dresden and will make his debut as Bluebeard in a new production of Bartók's Bluebeard's Castle at the Tyrol Festival in Erl in July 2025.
Florian Boesch’s recordings have been celebrated among the international press, receiving numerous awards along the way, including an Edison Klassiek Award in 2012. Die schöne Müllerin was nominated for a 2015 Grammy in the category Best Classical Vocal Solo. In early September 2017, Hyperion released a new recording of Schubert’s Winterreise with Roger Vignoles at the piano; in autumn 2018 followed a recording of Schubert songs in an orchestrated version with Concentus Musicus Vienna under the baton of Stefan Gottfried. Boesch’s recordings of Schumann and Mahler songs also won him a BBC Music Magazine Award. In May 2023 a new album featuring Schumann’s Dichterliebe and Kerner Lieder was released by Linn records.
Florian Boesch received his initial vocal training from Ruthilde Boesch, after which came his studies in Lied and oratorio with Robert Holl in Vienna. Florian Boesch has been Professor of Lied and Oratorio at the University of Music and Performing Arts in Vienna since autumn 2015.
2024 | 2025
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Schumann: Dichterliebe and Kerner Lieder
Piano: Malcolm Martineau
Label: Linn Records | 2023
Cavalieri: Rappresentatione di Anima e di Corpo
Georg Nigl, Cyril Auvity, Anett Fritsch, Daniel Schmutzhard, Florian Boesch
Il Giardino Armonico, Arnold Schoenberg Chor
Conductor: Giovanni Antonini
Stage Director: Robert Carsen
Label: Naxos | 2023
Georg Friedrich Händel: Saul
Florian Boesch, Jake Arditti, Anna Prohaska, Giulia Semenzato, Rupert Charlesworth,
Arnold Schoenberg Chor, Freiburger Barockorchester
Conductor: Christopher Moulds
Label: Unitel Edition | 2022
FRANUI & Florian Boesch
Alles wieder gut!
"Alles wieder gut" is the ultimate song recital by Florian Boesch, one of today's most sought-after lieder singers, and the cult music banda Franui from East Tyrol, which has existed in an unchanged line-up for almost 30 years.
Songs by Franz Schubert, Johannes Brahms, Robert Schumann and Gustav Mahler
Label: col legno | 2020
Musicbanda Franui
Florian Boesch, baritone
Nikolaus Habjan, puppeteer
Markus Kraler | Andreas Schett, composition and arrangement
Paul Grilj, lighting
Franz Schubert: Die schöne Müllerin op. 25, D 795
Florian Boesch, Bassbaritone
Musikbanda Franui
Florian Boesch and the Tyrolean ensemble Franui, which transcends all musical boundaries, have teamed up for a very special song recital: with a polyphonic arrangement including tuba, dulcimer, accordion and harp, they lend Schubert's Die Schöne Müllerin a completely new, scenic-dramatic dimension in the Great Hall of the Brucknerhaus.
FURTHER INFORMATION & TICKETSErnst Krenek: Reisebuch aus den österreichischen Alpen, op. 62
Florian Boesch, Bassbaritone
Malcolm Martineau, Piano
Krenek’s 1929 song cycle, inspired by the recent centenary of Schubert’s death and perceptive reflections on the precipitous fall of the Habsburg Empire, charts what its composer described as a ‘pilgrimage to the sacred shrines of Austria’s landscape and history’.
FURTHER INFORMATION & TICKETSErnst Krenek: Reisebuch aus den österreichischen Alpen, op. 62
Florian Boesch, Bassbaritone
Malcolm Martineau, Piano
Krenek’s 1929 song cycle, inspired by the recent centenary of Schubert’s death and perceptive reflections on the precipitous fall of the Habsburg Empire, charts what its composer described as a ‘pilgrimage to the sacred shrines of Austria’s landscape and history’.
FURTHER INFORMATION & TICKETSJohann Sebastian Bach: Himmelskönig, sei willkommen, Kantate BWV 182
Johann Sebastian Bach: Uns ist ein Kind geboren, Kantate BWV 142
Johann Sebastian Bach: Herz und Mund und Tat und Leben, Kantate BWV 147
Joanne Lunn, Soprano
Terry Wey, Countertenor
Daniel Johansen, Tenor
Florian Boesch, Bassbaritone
Ensemble Claudiana
Vienna Boys Choir
Luca Pianca, Musical Direction
Representation: World