CALENDAR

Hugo Wolf: Das Italienische Liederbuch

Christiane Karg, soprano
Florian Besch, bass baritone
Malcolm Martineau, piano

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Claude Debussy: Pelléas et Mélisande

Franz-Josef Selig, Arkel
Sophie Koch, Geneviève
Ben Bliss, Pelléas
Christian Gerhaher, Golaud
Sabine Devieilhe, Mélisande
Soloist of the Tölzer Boy's Choir, Yniold
Martin Snell, a doctor
Paweł Horodyski, a shepard

Mirga Gražinytė-Tyla, musical direction
Jetske Mijnssen, stage direction
Ben Baur, stage and costumes
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

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„Ich pfeif‘ auf die Oper“
Nikolaus Habjan, art whistler
Ines Schüttengruber, piano

Nikolaus Habjan is one of the most versatile and sought-after showmen and puppeteers; the three-time Nestroy Award winner has been and continues to be a guest at numerous renowned theatres with his directorial works and productions. Nikolaus Habjan is also passionately dedicated to another, almost forgotten artistic discipline: artistic whistling. Specialising in virtuoso coloratura, he can be heard at the Sommer Rhapsodie with Ines Schüttengruber at the piano as "Pavarotti and Bartoli in one person" (AZ).

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Claude Debussy: Pelléas et Mélisande

Franz-Josef Selig, Arkel
Sophie Koch, Geneviève
Ben Bliss, Pelléas
Christian Gerhaher, Golaud
Sabine Devieilhe, Mélisande
Soloist of the Tölzer Boy's Choir, Yniold
Martin Snell, a doctor
Paweł Horodyski, a shepard

Mirga Gražinytė-Tyla, musical direction
Jetske Mijnssen, stage direction
Ben Baur, stage and costumes
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

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Choreographed episodes inspired by Johann Sebastian Bach's Mass in B minor by John Neumeier | Dona Nobis Pacem

Marie-Sophie Pollak, Soprano I
Olivia Vermeulen, Soprano II
Benno Schachtner, Counter tenor
Florian Sievers, Tenor
Konstantin Ingenpass, Bass

Holger Speck, Musical Director
Vocalensemble Rastatt
Ensemble Resonanz

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Claude Debussy: Pelléas et Mélisande

Franz-Josef Selig, Arkel
Sophie Koch, Geneviève
Ben Bliss, Pelléas
Christian Gerhaher, Golaud
Sabine Devieilhe, Mélisande
Soloist of the Tölzer Boy's Choir, Yniold
Martin Snell, a doctor
Paweł Horodyski, a shepard

Mirga Gražinytė-Tyla, musical direction
Jetske Mijnssen, stage direction
Ben Baur, stage and costumes
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

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Antonio Vivaldi: Concerto  in A minor, Op. 3/8
Pietro Antonio Locatelli: Concerto grosso in F minor, Op. 1/8
Johann Sebastian Bach: Concerto in D major, BWV 1064
Johann Sebastian Bach: “Repay, Most High, my sins” – Church Cantata BWV 1083 after Giovanni Battista Pergolesi’s “Stabat mater”

Elisabeth Breuer, soprano
Olivia Vermeulen, mezzo-soprano
Reinhard Goebel, conductor
Orchester der KlangVerwaltung

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Claude Debussy: Pelléas et Mélisande

Franz-Josef Selig, Arkel
Sophie Koch, Geneviève
Ben Bliss, Pelléas
Christian Gerhaher, Golaud
Sabine Devieilhe, Mélisande
Soloist of the Tölzer Boy's Choir, Yniold
Martin Snell, a doctor
Paweł Horodyski, a shepard

Mirga Gražinytė-Tyla, musical direction
Jetske Mijnssen, stage direction
Ben Baur, stage and costumes
Katharina Ortmann, dramaturge

Bayerisches Staatsorchester
Bayerischer Staatsopernchor

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Franz Schubert: Schwanengesang D 957
Christine Lavant – texts

Georg Nigl, baritone
Birgit Minichmayr, recitation
Olga Pashchenko, fortepiano

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