Antonín Dvořák: Stabat Mater, op. 58

Eleanor Lyons, Sopran
Sophie Harmsen, Alt
Mauro Peter, Tenor
Jarrett Ott, Bass

Philippe Herreweghe, Dirigent
Collegium Vocale Gent
Rundfunk-Sinfonieorchester Berlin

Johann Sebastian Bach: Matthäus-Passion BWV 244

Benedikt Kristjánsson, Evangelist
Carine Tinney, Sopran
Kristen Witmer, Sopran
Terry Wey, Alt
Olivia Vermeulen, Alt
Georg Poplutz, Tenor
James Gilchrist, Tenor
Matthias Winckhler, Bass
Tobias Berndt, Bass

Nederlandse Bachvereniging
Hans-Christoph Rademann, Dirigent
Kampen Boys Choir

Wolfgang Amadeus Mozart: Die Zauberflöte

Golda Schultz, Pamina
Kathryn Lewek, Königin der Nacht
Ben Bliss, Tamino
Thomas Ebenstein, Monostatos
Thomas Oliemans, Papageno
Shenyang, Sprecher
Stephen Milling, Sarastro

Evan Rogister, Dirigent
Simon McBurney, Regie und Choreographie
Michael Levine, Bühnenbild
Nicky Gillibrand, Kostüme
Jean Kalman, Lighting Designer
Finn Ross, Projection Designer
Gareth Fry, Sound Designer

Antonín Dvořák: Stabat Mater, op. 58

Eleanor Lyons, Sopran
Sophie Harmsen, Alt
Mauro Peter, Tenor
Jarrett Ott, Bass

Philippe Herreweghe, Dirigent
Collegium Vocale Gent, Chor
Rundfunk-Sinfonieorchester Berlin

Johann Sebastian Bach: Matthäus-Passion BWV 244

Benedikt Kristjánsson, Evangelist
Carine Tinney, Sopran
Kristen Witmer, Sopran
Terry Wey, Alt
Olivia Vermeulen, Alt
Georg Poplutz, Tenor
James Gilchrist, Tenor
Matthias Winckhler, Bass
Tobias Berndt, Bass

Nederlandse Bachvereniging
Hans-Christoph Rademann, Dirigent
Kampen Boys Choir

Wolfgang Amadeus Mozart: Così fan tutte KV 588

Corina Koller, Fiordiligi
Sofia Vinnik, Dorabella
Nikita Ivasechko, Guglielmo
Ted Black, Ferrando
Ekaterina Solunya, Despina
Daeho Kim, Don Alfonso

Dinis Sousa, Musikalische Leitung
Barbara-David Brüesch, Inszenierung
Alain Rappaport, Bühne
Sabin Fleck, Kostüme:
Daniel Weiss, Licht
Christin Hagemann, Dramaturgie
Johannes Köhler, Chor

Rüdiger Baldauf’s Trumpet Night & Friends
feat. Thomas Quasthoff

Patricia Nolz, Mezzosopran
Joseph Middleton, Klavier

The young mezzo-soprano Patricia Nolz is already hailed as one of Austria’s foremost singers. Following her studies with Florian Boesch, she has quickly cemented her place as an artist of real quality and has appeared as a frequent guest at the Vienna State Opera (Cherubino, Zerlina, Annio, Rosina). She made her Edinburgh Festival début as Cherubino with the Komische Oper Berlin and appears with the Vienna Symphony and Gewandhaus Orchestras. The Wiener Konzerthaus selected her as a “Great Talent” last season, programming her across the year in recitals and orchestral concerts. Her programme for Leeds Lieder is book-ended with Schumann’s writing of the most inspired kind, and between these songs, Nolz and Middleton turn to heady German Romanticism in the form of Wolf and Zemlinsky. Leeds Lieder has had an outstanding record of giving young European artists their UK recital débuts, and this is one of which you will want to say “I was at that recital.”

Franz Schubert: Die Winterreise, D 911, op 89

Florian Boesch, Bassbariton
Joseph Middleton, Klavier

Richard Wagner: Parsifal

Paweł Konik, Amfortas
David Steffens, Gurnemanz
Samuel Sakker, Parsifal
Shigeo Ishino, Klingsor
Rosie Aldridge, Kundry
Peter Lobert, Titurel
Claudia Muschio, 1.1. Blumenmädchen
Natasha Te Rupe Wilson, 1.2. Blumenmädchen
Marion Germain, 1.3. Blumenmädchen
Alma Ruoqi Sun, 2.1. Blumenmädchen
Lucia Tumminelli, 2.2. Blumenmädchen
Itzeli Jáuregui, 2.3. Blumenmädchen

Cornelius Meister, Musikalische Leitung
Calixto Bieito, Regie
Susanne Gschwender, Bühne
Mercè Paloma, Kostüme
Reinhard Traub, Licht
Manuel Pujol, Chor und Kinderchor
Xavier Zuber, Dramaturgie

Staatsorchester Stuttgart
Staatsopernchor Stuttgart
Kinderchor der Staatsoper Stuttgart